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ArishMell · 70-79, M
Probably The Now Show! and I'm Sorry, I Haven't A Clue.
Also Mark Steele's In Town: Franklin Engelmann's gentle interview programme Down Your Way, in the 1960s, was never like that!
I don't have the title and presenter's name immediately to hand but have been listening to a new series that is all facts but presented very amusingly, based on a pub quiz.
I used to like The News Quiz, in parts, but abandoned it after Andy Zaltzmann (sp?) became its irritatingly self-congratulatory, self-absorbed chairman.
I still fondly recall the 1960s show that brought the likes of Tim Brooke-Taylor, Bill Oddie and John Cleese to fame well before The Goodies and Monty Python's Flying Circus. It also starred Jo Kendall, and I think another male but I forget whom.
It was called I'm Sorry I'll Read That Again - not satirising the News as you might think from that - and its theme was the daft Angus Prune Song.
ISIRTA continued somewhat The Goons tradition of surreal comedy, in a sea of rather formulaic situation comedies like The Clitheroe Kid and The Navy Lark.
Gentler and perhaps a bit wittier than those was The Men From The Ministry, about two hapless senior members of the fictional Department of Administrative Affairs, a sort of precursor to the TV show The Men From The Ministry.
Also Mark Steele's In Town: Franklin Engelmann's gentle interview programme Down Your Way, in the 1960s, was never like that!
I don't have the title and presenter's name immediately to hand but have been listening to a new series that is all facts but presented very amusingly, based on a pub quiz.
I used to like The News Quiz, in parts, but abandoned it after Andy Zaltzmann (sp?) became its irritatingly self-congratulatory, self-absorbed chairman.
I still fondly recall the 1960s show that brought the likes of Tim Brooke-Taylor, Bill Oddie and John Cleese to fame well before The Goodies and Monty Python's Flying Circus. It also starred Jo Kendall, and I think another male but I forget whom.
It was called I'm Sorry I'll Read That Again - not satirising the News as you might think from that - and its theme was the daft Angus Prune Song.
ISIRTA continued somewhat The Goons tradition of surreal comedy, in a sea of rather formulaic situation comedies like The Clitheroe Kid and The Navy Lark.
Gentler and perhaps a bit wittier than those was The Men From The Ministry, about two hapless senior members of the fictional Department of Administrative Affairs, a sort of precursor to the TV show The Men From The Ministry.
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Jacko1971 · 51-55, M
@Picklebobble2 I've seen Jack Dee. He did a show my University.
Crazychick · 36-40, F
Fawlty Towers, Blackadder, Only Fools & Horses.
ArishMell · 70-79, M
@Crazychick One strength I think often overlooked of Only Fools and Horses was the continuing stories of the characters, beyond the obvious comedy of their hapless attempts to make money or get the better of Trigger.
I gather some years later the BBC started repeating episodes from it, but all selected randomly with no regard for the personal narratives of the characters - if so, an appalling thing to do to it.
It came from an era of very insightful writing - and knowing when to stop - rather than mere playing for laughs. Drama as exemplified in the ultimate episodes of Blackadder and of Butterflies.
Blackadder famously ended in that deeply poignant Western Front scene, as the shell smoke slowly cleared to reveal the poppies in bloom.
Very different in tone, did you see the special one-off Butterflies episode made for one Christmas years later; with the characters having been allowed to age and developed naturally with their actors in that time? It finally answered the question that had permeated almost all of the series and was left never quite answered by the dramatic pathos of their final episode.
....
I had seen these mainly while still living with my parents. Since fledging I have never had a TV, so do not know present-day TV comedy. Does it writers still have any such sensibilities, or is their work all just safe playing for belly-laughs?
I gather some years later the BBC started repeating episodes from it, but all selected randomly with no regard for the personal narratives of the characters - if so, an appalling thing to do to it.
It came from an era of very insightful writing - and knowing when to stop - rather than mere playing for laughs. Drama as exemplified in the ultimate episodes of Blackadder and of Butterflies.
Blackadder famously ended in that deeply poignant Western Front scene, as the shell smoke slowly cleared to reveal the poppies in bloom.
Very different in tone, did you see the special one-off Butterflies episode made for one Christmas years later; with the characters having been allowed to age and developed naturally with their actors in that time? It finally answered the question that had permeated almost all of the series and was left never quite answered by the dramatic pathos of their final episode.
....
I had seen these mainly while still living with my parents. Since fledging I have never had a TV, so do not know present-day TV comedy. Does it writers still have any such sensibilities, or is their work all just safe playing for belly-laughs?
Crazychick · 36-40, F
@ArishMell I haven't seen much of "Butterflies". We haven't got that on DVD, whereas we've got the ones I mentioned.
ArishMell · 70-79, M
@Crazychick Each episode was a self-contained story about a family who would naturally not have much story between them; but the continuing thread was that harmless will-they-won't-they flirtation between Wendy Craig's character and the rich but lonely businessman she met in the public park he used for a daily run.
A lot of the 1960s radio comedies are aired now on BBC Radio Four Extra, but while I enjoyed them when I were a lad I think I'd find some of them rather samey now. Their problem was that of being closed situation comedies, so after a time it becomes hard to find fresh adventures for the characters.
Round The Horne was different and very daring for its time. Especially the Jules and Sandy sketches, though they were only a short part of each show. In them, the link comedian Kenneth Horne was the literal and figurative straight man to the double act of Kenneth Williams and I think Hugh Paddick playing two homosexual shop-owners, Julian and Sandy. Their speech was full of strange slang I learnt only quite recently was genuinely used by those now preferring the slang American epithet of "gay" - which still had its proper meaning in Britain in the 1960s.
Saddest in outcome of the "sit-coms" was The Clitheroe Kid. The actor Jimmy Clitheroe was short enough to play the schoolboy of the title, using his own name, in stories set around his and his best pal's families. Think of Dennis The Menace, of The Beano, and you've some idea of the setting. After the radio plays finally ended, Clitheroe toured the act in theatres but as he grew older he became less credible and more absurd; and by now was too affixed to the role to make a worthwhile career in grown-up parts. I don't know what became of him eventually.
.......
Though it was not a comedy as such, my parents and I always enjoyed the erudite but very witty My Word, introduced if I remember aright as, "A panel game played by people whose business is words". The same two men and two women in every show were all professional writers in various ways.
A lot of the 1960s radio comedies are aired now on BBC Radio Four Extra, but while I enjoyed them when I were a lad I think I'd find some of them rather samey now. Their problem was that of being closed situation comedies, so after a time it becomes hard to find fresh adventures for the characters.
Round The Horne was different and very daring for its time. Especially the Jules and Sandy sketches, though they were only a short part of each show. In them, the link comedian Kenneth Horne was the literal and figurative straight man to the double act of Kenneth Williams and I think Hugh Paddick playing two homosexual shop-owners, Julian and Sandy. Their speech was full of strange slang I learnt only quite recently was genuinely used by those now preferring the slang American epithet of "gay" - which still had its proper meaning in Britain in the 1960s.
Saddest in outcome of the "sit-coms" was The Clitheroe Kid. The actor Jimmy Clitheroe was short enough to play the schoolboy of the title, using his own name, in stories set around his and his best pal's families. Think of Dennis The Menace, of The Beano, and you've some idea of the setting. After the radio plays finally ended, Clitheroe toured the act in theatres but as he grew older he became less credible and more absurd; and by now was too affixed to the role to make a worthwhile career in grown-up parts. I don't know what became of him eventually.
.......
Though it was not a comedy as such, my parents and I always enjoyed the erudite but very witty My Word, introduced if I remember aright as, "A panel game played by people whose business is words". The same two men and two women in every show were all professional writers in various ways.
Picklebobble2 · 56-60, M
I haven't watched television in years but Monty Python; Not the nine o'clock news and Drop the dead donkey were all 'compulsive' viewing.
If you're thinking in terms of movies then there are a few 'obvious' ones guaranteed to give you a giggle.
Blazing saddles
Stir crazy
Airplane
The life of Brian
History of the world part one etc.
If you're thinking in terms of movies then there are a few 'obvious' ones guaranteed to give you a giggle.
Blazing saddles
Stir crazy
Airplane
The life of Brian
History of the world part one etc.
Picklebobble2 · 56-60, M
@Jacko1971 Considered quite risky at the time. The BBC liked to play safe with the sitcom idea hence the 65 episodes of Terry and June 😖
Jacko1971 · 51-55, M
@Picklebobble2 I don't mind a bit of gentle comedy.
Not The Nine O Clock News was on BBC 2 at 9 O'clock (Hence the name). All the alternative comedies were started on BBC2.
Not The Nine O Clock News was on BBC 2 at 9 O'clock (Hence the name). All the alternative comedies were started on BBC2.
ArishMell · 70-79, M
@Picklebobble2 Another two for your list of films:
The Big Bus - American set and made, satire on "road movies" and science-fiction; about the maiden- transcontinental journey of the articulated behemoth that was the "world's first nuclear-powered bus".
Traffic (I think that was its title.) No, not the bleak one about junkies in Glasgow. This early -1970s, gentle satire on the motor-trade, was set in France and depicted the efforts of a family garage business to take their prototype caravanette conversion of a small Citrӧen van, across the country to the Paris Motor Show.
The Big Bus - American set and made, satire on "road movies" and science-fiction; about the maiden- transcontinental journey of the articulated behemoth that was the "world's first nuclear-powered bus".
Traffic (I think that was its title.) No, not the bleak one about junkies in Glasgow. This early -1970s, gentle satire on the motor-trade, was set in France and depicted the efforts of a family garage business to take their prototype caravanette conversion of a small Citrӧen van, across the country to the Paris Motor Show.
Jacko1971 · 51-55, M
At the time I laughed at The Young Ones. It was of its day.
GovanDUNNY · M
Afterlife was brilliant
TheFragile · 46-50, M
Spaceballs
Bignakedguy · 31-35, M
Once upon a crime. It has John Candy in it
HumanEarth · 56-60, F
Anything with Abbott & Costello and Chuck & Bob
[media=https://youtu.be/Ox8ncDFnJNE]
[media=https://youtu.be/Ox8ncDFnJNE]
darkmere1983 · 46-50, M
monty python sketches.
SW-User
Loaded Weapon is funny
ExtremeNext · 31-35
Seinfeld
WhatLifeIsFor · 41-45, M
[media=https://youtu.be/s92y5GqYW7k]
bijouxbroussard · F
The most recent one on tv,"Ghosts".
[media=https://youtu.be/kaOCCmwAhGc]
[media=https://youtu.be/kaOCCmwAhGc]
SW-User
@bijouxbroussard This looks like it's a remake of a UK comedy called ghosts, or maybe it's the other way round. I'll have to google.
bijouxbroussard · F
@SW-User It is a remake ! I’ve been trying to find where the bbc version is streaming so I can watch that, too.