I really like agitprop, but have seen so little of it, but here is finally something that could be even better than those flawed films of Dusan Makavejev. A knowingness is the air that the actors in this film is breathing, and putting on a show for those who are willing to proceed forward, with as I feel I must insert, a connective vessel from the immaterial to the material.
West Indies: The Fugitive Slaves of Liberty Directed by Med Hondo • 1979 • Algeria, Mauritania, France Starring Robert Liensol, Roland Bertin, Hélène Vincent
Mauritanian French director Med Hondo’s staggering WEST INDIES: THE FUGITIVE SLAVES OF LIBERTY is a sui generis amalgam of historical epic, Broadway revue, Brechtian theater, and joyous agitprop. Using an enormous mock slave ship as the film’s only soundstage, Hondo mounts intricately choreographed reenactments and dance numbers across his multipurpose set to investigate more than three centuries of imperialist oppression. The story traverses the West Indies, Europe, and the Middle Passage; jumps across time to depict the effects of official French policy upon the colonized, the enslaved, and their descendants; and surveys the actions and motivations of the resigned, the revolutionary, and the powers that be (along with their lackeys). No mere extravaganza, WEST INDIES is a call to arms for a spectacular yet critical cinematic reimagining of an entire people’s history of resistance and struggle.
every anglo who has ever claimed to understand the power of music as a political force should be put in the clockwork orange eye machine and forced to watch this and then probably euthanised for the public good.
