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3. Smithereens

After a couple heartbreaking films you know what I need as a palate cleanser, a punk film!! rawrrrr 🤟




Directed by Susan Seidelman • 1982 • United States

Susan Seidelman established her distinctive vision of New York City with this debut feature, the lo-fi original for her vibrant portraits of women reinventing themselves. After escaping New Jersey, the quintessentially punk Wren (Susan Berman)—a spark plug in fishnets—moves to the city with the mission of becoming famous. When not pasting up self-promotional flyers or hanging at the Peppermint Lounge, she’s getting involved with Paul (Brad Rinn), the nicest guy to ever live in a van next to the highway, and Eric (Richard Hell), an aloof rocker. Shot on 16 mm film that captures the grit and glam of downtown in the 1980s, with an alternately moody and frenetic soundtrack by the Feelies and others, SMITHEREENS—the first American independent film to compete for the Palme d’Or—is an unfaded snapshot of a bygone era.

Farewell My Concubine is a 5/5 film even though I would have been more impressed seeing it on the big TV in the dark with nothing crawling on me. It's very very sad the lives of those opera stars, the hell they go through to get to that level of performance and throw in also political turmoil.

 
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