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Mugin16 Yes because it omits important explanations from history of art and aesthetics on why art became like this. The first thing that they taught us in school was the concept of Death of the art that started with a delusion of late 19. century, saying that once the photography was invented, there was no point in trying to achieve realism by any other medium so old mediums need revolution. I think he should have mentioned that and present his opinion why he disagrees with this approach to art and explain why it was a mistake that we should stop repeating over and over. Many art pieces mentioned there were a response to The death of the art in some way but yes, unless you are aware of these facts you are unable to read the art work in the gallery. You only see bricks. In other words, art lost the form, only concept remained, which gets lost without a proper explanation. And now there are disputes whether concept itself can be beautiful but as that guy said, anyone can come up with a brilliant idea - a medic, a lawyer...it doesn't make anyone an artist.
He talked about beauty but I constantly felt as if he wanted to talk about the importance of skills as the defining value of beauty in his personal philosophy. As it was a documentary quite strongly based on a subjective opinion and very Western oriented. He said beauty is objective but wasn't very convincing to me.
I missed objective explanations like for example harmony and symmetry that is crucial for supporters of classical beauty as opposed to emotionality and irregularity that is crucial for supporters of baroque and romantic beauty. That's one of the most important disputes in aesthetics throughout history. Of course, together with importance of moral values and The good, which he mentioned through the element of lust as something that can't be beautiful.
He mentioned the importance of creativity and that desperately lack in functionalist architecture which, I agree, is ugly AF. But I don't see why glass architecture should be perceived as ugly as well. I don't agree on this with him. Personally I don't think Gherkin is any uglier than Palladio's architecture. Not every new medium must be ugly just because it's not traditional.
Modern and postmodern art is about politics and philosophy. Mostly politics though.
We don't need to return to tradition, just to start to value hard work and skills over concepts, sensationalism and political messages. First objectively assessable skills, then the concept.