Share a poem that speaks to you?

The Rebel

I am come of the seed of the people, the people that sorrow,
That have no treasure but hope,
No riches laid up but a memory
Of an Ancient glory.

My mother bore me in bondage, in bondage my mother was born,
I am of the blood of serfs;
The children with whom I have played, the men and women with whom I have eaten,
Have had masters over them, have been under the lash of masters,
And, though gentle, have served churls;
The hands that have touched mine, the dear hands whose touch is familiar to me,
Have worn shameful manacles, have been bitten at the wrist by manacles,
Have grown hard with the manacles and the task-work of strangers,
I am flesh of the flesh of these lowly, I am bone of their bone,
I that have never submitted;
I that have a soul greater than the souls of my people’s masters,
I that have vision and prophecy and the gift of fiery speech,
I that have spoken with God on the top of His holy hill.

And because I am of the people, I understand the people,
I am sorrowful with their sorrow, I am hungry with their desire:
My heart has been heavy with the grief of mothers,
My eyes have been wet with the tears of children,
I have yearned with old wistful men,
And laughed or cursed with young men;
Their shame is my shame, and I have reddened for it,
Reddened for that they have served, they who should be free,
Reddened for that they have gone in want, while others have been full,
Reddened for that they have walked in fear of lawyers and of their jailors
With their writs of summons and their handcuffs,
Men mean and cruel!
I could have borne stripes on my body rather than this shame of my people.

And now I speak, being full of vision;
I speak to my people, and I speak in my people’s name to the masters of my people.
I say to my people that they are holy, that they are august, despite their chains,
That they are greater than those that hold them, and stronger and purer,
That they have but need of courage, and to call on the name of their God,
God the unforgetting, the dear God that loves the peoples
For whom He died naked, suffering shame.

And I say to my people’s masters: Beware,
Beware of the thing that is coming, beware of the risen people,
Who shall take what ye would not give.
Did ye think to conquer the people,
Or that Law is stronger than life and than men’s desire to be free?
We will try it out with you, ye that have harried and held,
Ye that have bullied and bribed, tyrants, hypocrites, liars!

By Padraig Pearse

Ode on a Grecian Urn
By John Keats
Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know."

Not a poem, but a song. "I can't make you love me" by Bonnie Raitt. In particular, the lines:

Here in the dark in these final hours, I will lay down my heart and I'll feel the power
But you won't, no you won't,
'Cause I can't make you love me, if you don't

It's a very compelling description of that moment when you're in pain over a one-sided breakup, and it all feels so visceral to you, and yet you know that they won't feel the loss that you do no matter how much you wish they would.

The Road Not Taken

- Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.