There are some old pressings that sound great and are legendary for doing so(1st press of Zep II comes to mind), but it terms of new stuff, 99.9% of which are Pro Tools or DAW-sourced, that's a little strange to me. I don't care for vinyl's limitations, which is a trade-off for when something is mastered well. Clicks, pops, echo, inner groove distortion--it just drives me up the wall, so I'm very selective when I buy an LP. I'll often look for opinions out in the wild. I once got, essentially, a compressed/limited CD master cut to vinyl--the worst of both worlds--so while LPs can sound quite good, not every issue does.
