Charles Dickens was a phenomenon: a demonicly hardworking journalist, the father of ten children, a tireless walker and traveller, a supporter of liberal social causes, but most of all a great novelist - the creator of characters who live immortally in the English imagination: the Artful Dodger, Mr Pickwick, Pip, David Copperfield, Little Nell, Lady Dedlock, and many more.
At the age of twelve he was sent to work in a blacking factory by his affectionate but feckless parents. From these unpromising beginnings, he rose to scale all the social and literary heights, entirely through his own efforts. When he died, the world mourned, and he was buried - against his wishes - in Westminster Abbey.
Yet the brilliance concealed a divided character: a republican, he disliked America; sentimental about the family in his writings, he took up passionately with a young actress; usually generous, he cut off his impecunious children.
Claire Tomalin, author of Whitbread Book of the Year Samuel Pepys, paints an unforgettable portrait of Dickens, capturing brilliantly the complex character of this great genius. Charles Dickens: A Life is the examination of Dickens we deserve.
Alex Jennings is an associate actor with the RSC and has also worked with the Royal National Theatre. He was Henry Higgins in My Fair Lady at the Theatre Royal, Drury Lane, for which he won the second of his Olivier Awards for Best Actor in a Musical. He played Charles, Prince of Wales in the film The Queen, and his TV appearances include The State Within, Inspector Morse and the title role in Ashenden. He's a prolific reader of audiobooks, the most notable of which are The Horse and his Boy, Oliver Twist and Attention All Shipping.
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Using hundreds of primary sources, Charles Dickens in Love narrates the story of the most intense romances of Charles Dickens’ life and shows how his novels both testify to his own strongest affections and serve as memorials to the young women he loved all too well, if not always wisely.
When Charles Dickens died in 1870, he was the best-known man in the English-speaking world - the preeminent Victorian celebrity, universally mourned as both a noble spirit and the greatest of novelists. Yet, the first person named in his will was an unknown woman named Ellen Ternan - only a handful of people had any idea who she was. Of his romance with Ellen, Dickens had written, “it belongs to my life and probably will only die out of the same with the proprietor,” and so it was. She remained the most important person in his life until his death.
She was not the first woman who had fired his imagination. As a young man he had fallen deeply in love with a woman who “pervaded every chink and crevice” of his mind for three years, Maria Beadnell. When she eventually jilted him he vowed that “I never can love any human creature but yourself.”
A few years later he was stunned by the sudden death of his young sister-in-law, Mary Scott Hogarth, and worshiped her memory for the rest of his life. “I solemnly believe that so perfect a creature never breathed,” he declared, and he died over thirty years later still wearing her ring. Charles Dickens has no rival as the most fertile creative imagination since William Shakespeare, and no one influenced his imagination more powerfully than these three women, his muses and teachers in the school of love.
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First published in 1471, the year of the author’s death, The Imitation of Christ is a highly influential Christian text. A celebration of God’s mercy, holiness, and love, The Imitation is a devotional guide in which Christians are urged to trust fully in God and submit to the circumstances of the life that we are given by God. Although Thomas à Kempis spent 70 years of his life in the confines of a monastery, this work shows a complete comprehension of human nature. St. Thomas More commended the work as one of the three books that everyone ought to own, while John Wesley, the founder of Methodism, called it the best summary of Christian life that he had ever read.
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The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love. The poem influenced several later works, most notably Richard Wagner’s opera of the same name and Umberto Eco’s Baudolino. The text used in this recording is Cyril Edwards’ modern prose translation.
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After the jealous tyrant Don Rodrigo foils their wedding, young Lombardian peasants Lucia and Lorenzo must separate and flee for their safety. Their difficult path to matrimony takes place against the turbulent backdrop of the Thirty Years War, where lawlessness and exploitation are at their height. Lucia takes refuge in a convent, where she is later abducted and taken on a nightmarish journey to a sinister castle, while Lorenzo goes to Milan, where he witnesses famine, riots, and plague - all evoked through meticulous description and with stunning immediacy. The Betrothed is a masterful example of historical fiction and remains one of the most famous novels in Italian literature.
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The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd. Gogol’s tales of inconsequential civil servants, mixing the everyday with the surreal, foreshadow the work of his later acolytes, Bulgakov and Kafka. None is more cutting than the main story, "The Diary of a Madman", where a government clerk descends to insanity, claiming that he can communicate with dogs and that he is next in line to the throne of Spain. Translator: Constance Garnett.
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Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters. Gogol's obsession with attempting to display 'the untold riches of the Russian soul' eventually led him to madness, religious mania, and death. Dismissed by him as merely 'a pale introduction to the great epic poem which is taking shape in my mind', Dead Souls is the culmination of Gogol's genius. Translator: Constance Garnett.
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William James was one of the most influential figures in 19th-century American philosophy and psychology. His Pragmatism is a set of lectures that he gave in 1906-07 in answer to the enduring debate between empiricism and rationalism. Shifting between them, he proposed pragmatism as a method, the idea being that the value of any truth is dependent upon its utility–upon its practical and experiential consequences. To address the critical response to his ideas that followed, he produced in 1909 The Meaning of Truth, collecting together further writings on the issue to consolidate and reinforce his position. With a gift for language akin to that of his brother Henry, his work remains both highly enjoyable and thought-provoking.
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John Steinbeck's powerful evocation of the suffering and hardship caused by the Great Depression, and a panoramic vision of the struggle for the American Dream, The Grapes of Wrath includes a critical introduction by Robert DeMott in Penguin Modern Classics. 'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.' Shocking and controversial when it was first published in 1939, Steinbeck's Pulitzer prize-winning epic The Grapes of Wrath remains his undisputed masterpiece. Set against the background of Dust Bowl Oklahoma and Californian migrant life, it tells of Tom Joad and his family, who, like thousands of others, are forced to travel west in search of the promised land. Their story is one of false hopes, thwarted desires and broken dreams, yet out of their suffering Steinbeck created a drama that is intensely human, yet majestic in its scale and moral vision. Adapted into a celebrated film directed by John Ford, and starring Henry Fonda, The Grapes of Wrath is an eloquent tribute to the endurance and dignity of the human spirit. John Steinbeck (1902-68), winner of the Pulitzer Prize and the Nobel Prize for literature, is remembered as one of the greatest and best-loved American writers of the twentieth century. During the Second World War Steinbeck served as a war correspondent, with his collected dispatches published as Once There Was a War (1958); in 1945 he was awarded the Norwegian Cross of Freedom for his novel The Moon is Down (1942), a portrayal of Resistance efforts in northern Europe. His best-known works include the epics The Grapes of Wrath (1939) and East of Eden (1952), and his tragic novella Of Mice and Men (1937).
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"The finest historical novel our 20th century has yet produced; indeed it dwarfs most of the fiction of any kind that Europe has produced in the last twenty years."
-- Contemporary Movements in European Literature, edited by William Rose and J. Isaacs
"As a novel it must be ranked with the greatest the world knows today." -- Montreal Star
"Sigrid Undset's trilogy embodies more of life, seen understandingly and seriously... than any novel since Dostoievsky's Brothers Karamazov. It is also very probably the noblest work of fiction ever to have been inspired by the Catholic art of life." -- Commonweal
"No other novelist, past or present, has bodied forth the medieval world with such richness and fullness of indisputable genius.... One of the finest minds in European literature."
-- New York Herald Tribune
"This trilogy is the first great story founded upon the normal events of a normal woman's existence. It is as great and as rich, as simple and as profound, as such a story should be."
