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A formatting test for The Bodmin Horror

A test to see how this platform handles formatting. It doesn't seem to do very well with paragraphs. How many words can one post handle? A hundred? A thousand? Hopefully more? Don't know. Now I do, 3442. Serviceable, but with over a million words to communicate over five books, it would take time—but, time well spent if it cheers just one person's day. Is there an audience? Don't know, If nobody enjoys it, nothing lost and I will continue to do so.
The first story is set in and about the village of Bolventor, deep in the heart of Bodmin Moor, Cornwall, UK. And yes, I've been there, it's a few hundred miles away from where I live, and anybody else who's been there will quickly realise, liberties have been taken with the town, which in reality is little more than a hamlet. The same applies to the moor itself, but, you know, this is fiction and I wanted to include several places of note, even if their geographical locations may have been stretched and played around with. It's fiction, shoot me (not really, that wouldn't work) Anyway, sins confessed, that's out of the way. If you don't live there, nor have ever been there—take it as read.
This first section is mainly exposition to introduce the location, so don't judge a book by its cover, lol.
Disclaimer: The opinions of the characters are their own and do not reflect my own personal views.

PART 1:
shadow in the sky

FOREWORD

BODMIN MOOR

Rolling landscapes scattered with granite outcrops, Bodmin Moor is an Area of Outstanding Natural Beauty covering eighty square miles. During the Bronze Age Bodmin Moor was densely populated and numerous hut circles, sacred sites and giant tors can be seen. Bodmin Moor is the source of the river Fowey which rises near Brown Willy which at 1377 ft. is Cornwall's highest point. Slightly lower but dramatically rockier is Rough Tor: with its memorials to Charlotte Dymond (murdered in 1844) at the bottom, and the Wessex Regiment at the top. Most of the towns and villages are around the edges of the moor but Bolventor, a small hamlet in the middle, is the home of Jamaica Inn, used by Daphne du Maurier as the setting for her novel of the same name, and once owned by the novelist Alistair MacLean. Not far from Bolventor is Dozmary Pool, a lonely expanse of water high on the moor. Here legend would have you believe is the resting place of King Arthur's sword Excalibur.
There had been people living on and around the moor for four thousand years; farming and living off the land, and in that time, it had been the scene of many strange happenings. The local folk claimed the moor was haunted; that the ghosts left their Neolithic burial chambers by night to wander eternally through the thickly wooded valleys that once existed there.
A legend of a great beast that preyed on sheep and cattle grew over time, glimpsed occasionally by the locals and visitors alike. Many attempts were made to ascertain the truth of this matter, but all ending in failure. As with all mysteries of this kind those that believed—believed fervently, while cynics rejected the notion with equal ferocity.
It is a haunted, barren landscape that, through the years, has engendered fear and awe, but also proved inspirational for writers, poets and artists. It has generated folklore and legend, fact often mingling with fiction to chill many a visitor’s spine. It is a place of melancholy and bleak danger. A solid path can become a bog without warning and draw the unwary to a terrible death; sucked in a moment beneath the peaty mud that lies in wait.
There are many bizarre and wonderful sights on the moor, many dating from the Neolithic and Bronze Age. Stone circles and stone rows, as well as many natural sculptures in the shape of rocky tors. Mystery and intrigue wrapped itself around the moor like the mists that often shrouded it, but all in all life on the moor continued uninterrupted.
What was destined to be recorded in the annals of history as: The Bodmin Incident, began on the sixteenth of September 1962, when the sedate village of Bolventor went quietly about its business. That was the day when the first lights were seen flashing across Bodmin moor.
DeWayfarer · 61-69, M
Max characters is around 17,549, off the top of my head. I once posted the exact number somewhere as well as have one post around that length.

I think it depends on the character set used, because it does vary depending on which formating options or which unicode character set is used.

Note: the default character set is a variable font face so it has to vary. ASCII art images refuse to come out correctly because of this.

Feel free to look at my About me and my first featured post for examples of what can be done.


























Additional notes:

One of the admins and I talked about other features along with floating menu bars and other stuff.

He even attempted to have the menu bar placed at the bottom of the editing box instead of at the top. That caused unexpected problems. So it was switched back to what it was.

Perhaps they may pick that up again sometime in the future.







They are working on other video options currently. As an example, YouTube videos can be placed directly into the post without any tags.

The old youtube= tag is now considered downgraded and is only around because of old posts still use it.

Use the media= tag if you must or the <>HTML embed option. Say for external tablets and such. I have use it for external tables on sites that offered such embedding links. I believe it was a government site.






One tag that you may not know of is the [ sep] tag. Remove space to use it. And can be use consecutively like this:
[ sep][ sep][ sep][ sep]

to form thicker separation lines like this:






or this:






















Large emojis can be made using the [ image=] tag and by using the preview button next to the "Save" button and doing right lick/long press and "copy the image location".

The wording on that is browser dependant.

Like this:



Don't recommend text near such images. You won't get what you might think. Yet small images do center correctly.






I have made a post a long time ago on how to add gboard keyboard shortcuts for all SW's editing options. Yet that is beyond the scope of this topic.

Just adding that because by doing so you can use your own text editor. I often use my own text editor on long posts.






Be careful using certain colors on this site. Because many people use this sites dark mode. One color is this shade of red it is extremely hard to see text in this color in dark mode.






𝓗𝓸𝓹𝓮 𝓽𝓱𝓲𝓼 𝓱𝓮𝓵𝓹𝓼 😁

☝️ Keyboard shortcut
Greystone21 · 61-69, M
@DeWayfarer That's really helpful, and thanks for taking the time. I can see I'm going to have to experiment a bit before posting, lol, but thanks so much.
Greystone21 · 61-69, M
I’m not a profession by any measure, but I enjoy creative writing and would match my imagination against many so-called ‘professionals’ that are earning money for their efforts. The second story (the first written) began life thirty years ago with the first being written to facilitate the second roundabout 2005. When the umbrella theme was introduced they were adapted to suit, being evolved. Three other stories make up the remainder of the
Several themes connect and run through these books. The first one, which is always the most important to me: plausibility. But how can something so far-fetched be plausible? Well, that is largely determined by the contextual premise. If it’s established that a man can fly in the premise, and a man flies in the book, then nothing is amiss, because the premise dictates it is possible. But for a man to suddenly take to the air, unaided, where it has not been establish, credibility is instantly lost. As with anything, if the imagination is unable to accept the premise, don’t bother with the subject. It’s never going to work. But if you accept the established premise at face-value, then it is reasonable to expect it to stay within the restrictions it has imposed. Any aberrations to the outlined limitations would, in my eyes, destroy all credibility, and that would be the point I would simply walk away.
On a more specific level, I’m talking about natural reactions to horrifying events. So often now, people react, or are depicted as reacting, with overt indifference to something that would literally petrify a body with fright. When I see that, in its many representations, I instantly lose interest in whatever I’m watching, or reading that advocates the suggestion of total fearlessness, which is known to all, as a sham; even if the truth of the statement resides in the deepest recesses of their psyche. Yes, it’s fair to say that some people experience greater degrees of fear reaction than others. It’s also fair to say that continual exposure to constant danger may reduce the fear reaction over time, but the same basic instinct can never be totally erased.
The second theme, is how does a person uprooted from their own time, cope with the displacement? The third and also important in its way: How does a good person, a person of caring nature, cope with being transformed into the opposite? A sadistic monster, bereft of any sense of conscience, who enjoys performing the most brutal of acts for their own sake. Not a problem for the subject in transition, but should the effects be reversed while memory of committed atrocities remain, how does the compassionate person deal with the knowledge and consequences of those actions? That’s quite a strong theme, which again, would depend on the individual. Some would cope, but others would struggle to reconcile themselves with such a situation. In the end, I suppose, it would depend on the level of empathy one feels for one’s fellow creatures.
The theme of self-preservation, and the lengths a body would go to, to maintain the continuation of the self is one that has always fascinated me. The question of nature vs nurture must play a part in that predicament, I would have thought.

 
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