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Freeranger · M
Off the top of my head spikes, I'd probably say that, with either of the aforementioned in terms of cinema, there has been no need for over the top special FX like superheroes....and shizz being exploded and bashed up to massive shock waves of sound reverberating throughout.
Rather, with these, particularly Dracula, it is the silence that is deafening. Consider Bram Stoker's dracula ('92) or even An American Werewolf in London by extension (1981). Those are much more quiet....like every child's fear that there is something under their bed, or something stalking that individual just outside the safety of a street lamp.....I think silence can create a scary palpable emotion in which the our emotion can run wild due to apprehension....
Rather, with these, particularly Dracula, it is the silence that is deafening. Consider Bram Stoker's dracula ('92) or even An American Werewolf in London by extension (1981). Those are much more quiet....like every child's fear that there is something under their bed, or something stalking that individual just outside the safety of a street lamp.....I think silence can create a scary palpable emotion in which the our emotion can run wild due to apprehension....
