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Developments in our repertoire lengthen the variety we can show our audience.

Summer months, we have our Greek tragedy-based ballets, which we include with some of our standard more acrobatic (circus-like) dance sequences. These seem to be among our better supported ballets, I think likely because of our nudity.

Autumn months, this is when we are most likely to have new ballets based on various things, even the news! they are growing in popularity, as our following grows among our mostly adult audience. We have a hope to gain from the theatre bar sales, but that is a thing still being talked about.

Winter months, our ballets are typically linked to the Winter, based on fables from various sources, but we haven't added a snowmaker to anything yet, because of the problems it represents to the performers. We do have a ballet where a large mat is added to the stage to collect the similated rainfall in one of the ballets.

Spring, these months are usually a showcase for individual efforts, and I have been in a self-choreographed piece that the group helped me to stage. It was quite well-received.

 
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