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No Last Night Of The Proms

For obvious reasons.

The 2022 season of the Henry Wood Promenade Concerts, that is; the world's largest international festival of Classical, "classical" and light music, hosted by BBC Radio Three and centred in the Royal Albert Hall. Indeed the world's largest festival of any musical genre.

When the death of Queen Elizabeth II was announced on Thursday evening the audience and the Philadelphia Orchestra were already in the Hall. If they did perform the full set - works by Barber, Coleman (a 1st UK performance piece) and Beethoven - it was not broadcast, but the orchestra gave their own tribute by starting with the UK's National Anthem then the sublime Nimrod theme from Elgar's Enigma Variations.

That was recorded, and broadcast yesterday (Friday) evening.

However both the Friday concert, also by the Philadelphia Orchestra, and tonight's "Last Night" were both cancelled.

I did wonder if that might happen. The usual, exuberant Last Night, in which a set of "serious" works is followed by a rousing musical party, would not have been appropriate; but it is very hard to think how it might have been replaced, even if was felt some sort of performance would have been right.

'''''

I didn't know what Radio Three is broadcasting instead, but at nearly 7pm, I switched on part-way through a lively movement of what sounded to me like a Classical or classical-style sonata. It turned out to be the last part of Schubert's Trout Quintet, a live recording, in a programme of recordings of music relevant in one way or another to the late Queen and her reign.

Next piece up, Handel's Music for the Royal Fireworks - written originally for a much happier celebration - so not all the music is sombre by any means.

We have been told one of the programme's guests will be the composer Judith Weir, appointed by the Queen as 'Master of the Queen's Music'. (She has been asked about that title, and has said she is perfectly happy with it.) She is of course now, Master of the King's Music.
MartinII · 70-79, M
Thank you for posting this. It brought to mind several near parallels, or at least cases with something in common with the present, one of which was the 1972 Munich Olympics, when many Israeli athletes we’re murdered.

There was of course a debate as to whether the Games should continue. Eventually it was decided they should, but first there was a memorial concert in the Olympic Stadium at which the Munich Philharmonic played Beethoven’s Egmont overture and the Funeral March from the Eroica. (Whenever I hear Egmont I think of that occasion.)

It struck me that instead of cancelling the last night the BBC could have organised a short replacement concert of suitably serious well-known works. The BbC Symphony could have rehearsed them during Saturday, and it could have been a memorable occasion both for the audience in the Albert Hall and for those listening on the radio. How about Brahms Tragic Overture and Elgar Second Symphony?
ArishMell · 70-79, M
@MartinII Certainly a thought. Perhaps they felt that the re-arranging and rehearsals, even of well-known pieces, too close to the event, risking a sub-standard performance worse than silence.
laotzu92 · 70-79, M
In a way it seems a shame that a concert of some kind couldn't have been held, even in an empty auditorium. The Philadelphia Orchestra was right there and its repertory includes pieces which might have been appropriate.
Barber's Adagio for Strings perhaps. I might have followed it with Elgar's First Symphony. To me it conveys the sense of the way the British monarchy and nation continues on, even in adversity.
trackboy · 22-25, M
@ArishMell @ArishMell you wanted to know how to make money. 💵
ArishMell · 70-79, M
@trackboy I did not. I had reported on an artistic event.
trackboy · 22-25, M
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Really · 80-89, M
How is The Trout relevant to Queen Elizabeth or her reign? Just asking :). It reminds me of my fruitless piano lessons but I've learned to enjoy it since.

I love Barber's Adagio - and one or two others.
ArishMell · 70-79, M
@Really I don't know as I came in at the end, but since then as the programme progresses I learnt firstly that the connections can be as tenuous as simple association with person or place, and not only with the late Queen but going back through history.

 
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