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SomeMichGuy · M
Sometimes death is how an artist is suddenly known, and, when dead, the canon is closed, even if not entirely known.
As @Crazywaterspring pointed out, it's ultimately a market: works exist; the estimation of "the importance"/worth/value of a school, an artist, a given work, by various people & institutions changes; when a work *is* available--and this is seldom for artists with fewer works and greater "significance"--the pent-up demand (over years or even decades, sometimes) pushes up the price. One acquistion can change the economics of a location, put it "on the map" of better/serious galleries, etc.
But--to address @helenS--I don't the selection process, which might certainly be more random earlier in the process, as being random overall; it tends to recognize people who are founders, exemplars, etc., of schools, styles, techniques, periods.
As @Crazywaterspring pointed out, it's ultimately a market: works exist; the estimation of "the importance"/worth/value of a school, an artist, a given work, by various people & institutions changes; when a work *is* available--and this is seldom for artists with fewer works and greater "significance"--the pent-up demand (over years or even decades, sometimes) pushes up the price. One acquistion can change the economics of a location, put it "on the map" of better/serious galleries, etc.
But--to address @helenS--I don't the selection process, which might certainly be more random earlier in the process, as being random overall; it tends to recognize people who are founders, exemplars, etc., of schools, styles, techniques, periods.